| m |
abbreviation for mezzo, manual, metronome, main, and mano, depending on
context |
| m.d. |
right hand |
|
m.m. |
metronome marking |
| machete |
ukulele |
|
machicotage |
practice of ornamenting solo plainsong with improvised grace notes or melismatic passages between official
tones |
|
macumba |
one of several regional religious ceremonies practiced by
Brazilian Negroes, valued for its magical powers |
|
madrasha |
Syrian chant |
| madrigal |
originally a form of vocal composition of 14th century
Italy, the madrigal became, in the 16th and 17th centuries, a favorite
form of part-song, stemming first from Italy. In England the madrigal became popular in the last two decades of the 16th century in adaptations of
Italian compositions and in new works by English composers. |
|
maestoso |
majestic or dignified |
|
maestro |
a title for a conductor, composer, teacher or
performer |
|
magadis |
ancient Greek harp with doubled strings tuned in
octaves |
|
maggiolata |
song for may |
|
maggiore |
the major mode |
|
magnificat |
the canticle drawn from the biblical words attributed to the mother of
Christ, my soul doth magnify the Lord. It forms part of the evening service of vespers, in the divine office of the catholic liturgy, and thus appears in composed settings.
As part of the evening service of the church of England it has similarly been subjected to musical
treatment |
|
magrepha |
organ of ancient Hebrews |
|
main |
hand |
|
maitres |
choir school of church |
|
majeur |
major |
| major |
"greater". a term used to describe certain intervals (seconds, thirds, sixths and sevenths), chords and the
Ionian mode |
|
major chord |
a triad composed of a root, a third, and a fifth. |
|
major scale |
a diatonic scale where the half-steps fall between the third and fourth, and the seventh and tonic. this scale is identical to the
Ionian mode |
|
malaguena |
a Spanish dance from the region of Malaga. the word is later used to indicate a form of
Spanish gypsy song |
|
malincolico |
melancholy |
|
mallet instruments |
tuned percussion instruments with a piano-like layout of sound bars that are struck by mallets.
Examples include the xylophone, vibraphone, glockenspiel and
marimba |
| mambo |
Afro-Cuban dance played in 4/4 time; became internationally popular in the
1940's |
| man |
abbrev. for manual |
|
manche |
neck (of violin) |
|
mandola |
type of lute |
| mandolin |
stringed instrument similar to, but smaller than, the lute. it evolved in 18th-century
Italy. It has four pairs of strings, which are plucked with a plectrum. |
|
mangulina |
traditional dance of Dominican republic, in 5 |
|
manica |
a hand position shift (in violin technique) |
|
manico |
violin fingerboard |
|
manicordion |
clavichord |
|
mannheim school |
a pre-classical group of German symphonic composers whose style including extended
crescendos (called steamrollers) and melodies that arpeggiated upward, (called rockets). |
|
mano destra |
right hand; often abbreviated m.d. |
|
mano sinistra |
left hand; often abbreviated m.s. |
| manual |
the manual is a keyboard for the hands, the word used for instruments such as the organ or harpsichord that often have more than one keyboard.
It is opposed to the pedal-board found generally on the organ and much more rarely on the harpsichord or fortepiano. |
|
manualiter |
use of the manuals alone (no pedals) in organ |
|
manualkoppel |
manual coupler |
|
manubrio |
parts of the organ console other than the keyboard; e.g. stop
knobs |
|
maqam |
a type of Arabic melody |
|
maraca |
percussion instrument made of a gourd with dry seeds in
it |
| maracas |
percussion instrument of Latin American origin. A maraca is a gourd filled with seeds or beads that rattles when shaken.
Maracas are usually played in pairs |
|
marcando |
stressing, stressed |
|
marcato |
marked, accented |
| march |
a piece of music written for marching soldiers or military bands.
It is generally characterized by a strong two-step rhythm |
|
marcia, alla |
march like |
|
mariachi |
Mexican ensemble |
|
marian |
of or pertaining to the virgin Mary |
| marimba |
instrument of African origin, similar to the xylophone, but with wooden bars.
It is often used in the percussion section of the symphony
orchestra |
|
marinera |
dance form adapted from the Chilean cueca, renamed to honor the marines.
Also known as tondero |
|
marizápalos |
Spanish 17th century popular song |
|
markiert |
marked |
|
markig |
vigorous |
|
marque |
marked |
|
marsch |
march |
|
martele |
instruction to a player that notes be sharply accented. applies particularly to bowed instruments and the
piano |
| martelatto |
hammered |
|
masculine cadence |
cadence in which the final chord occurs on a strong
beat |
| masque |
a courtly entertainment involving acting, singing, and dancing, with music and elaborate scenery and costumes. masques
reached their peak in 17th-century England, when written by Ben
Jonson and designed by Innigo Jones. |
| mass |
the solemn celebration of the roman catholic church, of the commemoration of the death and resurrection of
Jesus Christ. |
|
matasin |
dance of 16th century, performed by costumed dancers. |
| matins |
the first of the canonical hours |
|
mattinata |
a song intended for performance in the morning |
|
maultrommel |
Jew or jaw harp |
|
maxixe |
Brazilian urban couple dance |
| mazurka |
Polish country dance in triple time. It first became popular outside
Poland in the 18th-century. The mazurka was brought into the concert repertoire by
Chopin, who wrote 50 or so |
| me |
mi |
|
meane |
the middle part |
|
measure |
bar, meaning the metrical unit; "twelve-bar blues" is always "twelve-bar blues,"
however |
|
mechanical instruments |
devices designed to produce music without a performer; e.g., music boxes, player
piano's |
|
mechanik |
action, as of a piano |
|
medesimo |
same |
|
media cana |
dance of Argentine cities |
|
mediant |
the third degree of a scale |
|
medio registro |
divided stop |
| medley |
series of well-known tunes played in succession, possibly connected by a musical
bridge |
|
mehr |
more than one |
|
meistersinger |
middle class continuation of the earlier
minnesingers |
|
mejorana |
song of Spanish origin seen in panama |
|
mejoranera |
Panamanian five-stringed guitar |
|
melidoca |
a wind instrument with a keyboard |
|
melisma |
multi note sometimes improvised vocal passage sung on a single
syllable |
|
mellophone |
circular brass instrument resembling the French
horn |
|
melodic chromatic scale |
chromatic scale written American-style, with sharps on the way up and flats on the way down (see harmonic chromatic scale). |
|
melodie |
the French art-songs of the 19th and 20th centuries are known as melodies, the counterpart of the
German lieder |
| melodrama |
a dramatic work with a musical setting where the dialogue is spoken-for the duration of the work or for certain scenes only.
Many operas have melodramatic scenes of this kind. |
| melody |
a succession of notes of varying pitch, which form a recognizable musical
shape |
|
membranophone |
any instrument in which the sound is produced by a stretched
membrane |
|
memby |
native instruments of the Guarani, still used widely in
Paraguay and parts of Brazil |
|
meme |
the same |
|
meno |
less |
|
meno mosso |
less motion; slower |
|
mensur |
meter, mensuration |
|
mensural music |
polyphonic music wherein each note has a rigidly determined
value |
|
mente |
the mind. alla mente means "what comes to mind," i.e.
improvised |
|
menuet |
minuet |
|
merengue |
popular dance of Santo Domingo |
|
mescolanza |
medley |
|
messa di voce |
technique of voice control consisting of a crescendo and
decrescendo |
|
messe |
mass |
|
messel |
corruption of mathal, an Arabic term used to denote mathematical relationships of intervals that were deemed to be consonant. |
|
mesto |
sad or mournful |
|
mesure |
measure, meter |
| metamorphosis |
change of shape, is used particularly to describe the process of thematic metamorphosis, the transformation of thematic elements used by composers such as
Liszt, a procedure unkindly satirized
by one contemporary critic as the life and adventures of a theme. |
| meter |
the pattern of regular pulses defining a composition. the meter is indicated by the two numbers at the beginning, and the patterns are marked by bar
lines |
|
metric notation |
notation where horizontal space corresponds to time. used to assist the performer in reading. metric notation is often compromised to conserve space and printing
costs |
| metronome |
apparatus which sounds an adjustable number of beats per minute. particularly useful for setting speed when practicing. metronomes are traditionally mechanical but may now be
electronic |
|
metronome marks |
tempo marks consisting of a reference note equated to a metronome speed. for example, quarter note = 92 means 92 quarter notes per
minute |
|
mette |
matins |
|
meza voce |
an instruction to sing in a quiet, retrained manner |
|
mezza |
'half', middle |
| mezzo |
medium, part, half |
|
mezzo forte |
medium loud |
|
mezzo piano |
abbr. mp moderately soft |
|
mezzo soprano |
the female vocal register between soprano and alto |
|
mezzo voce |
soft, half voice |
| mi |
the third degree of the major scale |
| microtone |
an interval smaller than a half step |
|
middle c |
the c key in approximately the middle of the
keyboard |
|
military band |
a regimental band made up woodwind, brass, and percussion instruments.
The term is also used to describe civilian bands of similar
constitution |
|
mineur |
minor |
|
miniature score |
pocket-sized score, designed for reading along with performances. |
| minim |
a note with half the time value of a semibreve, or whole
note |
|
minim rest |
half rest |
| minimalism |
music that uses short melodic, rhythmic, and harmonic patterns that are repeated again and again.
These patterns often create a hypnotic effect. |
|
minnesinger |
German musicians of noble birth |
| minor |
lesser, smaller. When referring to keys, refers to one of a group of scales in which the third is
flatted |
|
minor scale |
a diatonic scale made up of eight notes, from the key note to its octave.
In ascending order, the sequence of intervals between the notes is as follows. tone-semitone-tone-tone-semitone-tone-tone.
The name of the scale is taken from the key note. |
| minstrel |
the word minstrel has been used loosely to indicate a musical entertainer, providing his own accompaniment to his singing.
The medieval minstrel, a secular musician, flourished between the 13th and 15th century, generally as an itinerant
singer |
| minuet |
a triple metre French dance popular from the second half of the 17th until at least the end of the 18th century.
It appears as an occasional element of the baroque instrumental suite and later as a movement in the pre-classical and classical symphony and allied forms, gradually replaced by the scherzo.
The minuet usually has a complementary trio, a contrasting section in similar metre |
|
mirliton |
a group of devices that uses a vibrating membrane to distort sound.
The mirliton is a type of membranophone. the best-known mirliton is the
kazoo |
|
mirror composition |
composition in retrograde or inverted intervals |
|
miserere |
the first word of psalms 50, 54 and 55, and the word appears on numerous occasions in
Latin liturgical texts. there is a famous setting of psalm 50 (= 51 in the
Hebrew and English Psalter) by the early 17th century Italian composer
Gregorio Allegri, the property of the papal chapel, written down from memory by
Mozart at the age of fourteen, during his visit to Rome in 1770. |
|
misterioso |
mysterious |
|
misura |
measure or beat |
|
mit |
with |
|
mixed voices |
combination of men's and women's voices |
|
mixolydian |
the modal scale where the half steps occur between degrees 3 & 4, and 6 & 7.
Major with a flatted 7, often used in jazz and Celtic music |
|
mixolydian mode |
a medieval mode whose scale pattern is that of playing g to g on the white keys of a
piano |
|
mobile |
changeable, flexible |
| modal |
pertaining to modes |
| modal rhythm |
see rhythmic mode |
| modality |
the use of modes, usually other than major or minor |
| mode |
an order or scale of notes producing an alternative to the major or minor
scales |
|
moderato |
moderate speed |
| modern |
music written in the 20th century, or contemporary
music |
|
moderno |
modern |
|
modinha |
sentimental song deriving from Italian opera |
|
modo |
used as the prefix to a direction to a musician or singer, as in in modo di, meaning 'in the manner
of' |
| modulate |
to change to a different key or tonal center |
| modulation |
change of key within a piece |
|
modus |
mode |
|
modus lascivus |
medieval name for the mode corresponding to c-major, which was avoided in church music, but widely used in secular music of the
time |
| moll |
minor |
| molto |
very or much, as in molto allegro, meaning 'very
quickly' |
|
monacordo |
clavichord |
| monochord |
instrument of one string |
| monodrama |
a melodrama for one character, with sung or spoken text accompanied by
music |
| monody |
a song performed by solo voice accompanied by music |
| monophonic |
describes music with a single line of melody, without accompaniment, as opposed to homophonic, when one line leads, but with an accompaniment.
See also polyphonic, when there are two or more lines of equal
importance |
| monophony |
music in only one part, and without accompaniment. plainsong is the classic
example |
| monothematic |
based on a single theme |
| monotone |
a single unvaried tone, as produced by a drone |
|
montonero |
Spanish counterpart of the minuet |
|
morbido |
soft or gentle. not to be confused with morbid |
|
morceau |
"morsel". a musical work or composition |
| mordent |
an ornament consisting of a single alternation between a given pitch, and the one
immediately below or above it-- called an inverted mordent |
|
morendo |
instruction that the music should fade gently away |
|
moresca |
pantomimic dance performed in Moorish costumes |
|
morris dance |
English folk dance which dates back to the 17th-century, traditionally (but not always) performed by
men |
|
mosso |
is generally found in the phrases piu mosso, faster, and meno mosso,
slower |
| motet |
a choral composition, usually on a religious text |
| motif |
a short musical idea, or melodic theme that runs through a
piece |
| motion |
pattern of changing pitches, as opposed to rhythm |
|
moto |
motion |
|
mouth organ |
harmonica |
| mouthpiece |
the part of a wind instrument that the performer puts to his
mouth |
|
mouvement |
movement |
|
movable do |
system in which "do" is the keynote, and may be transposed to any key, as opposed to fixed do, wherein all syllables associate with absolute
pitches |
| movement |
a section of a more extended work that is more or less complete in itself, although occasionally movements are linked together, either through the choice of a final inconclusive chord or by a linking note, as in the first and second movement of
Mendelssohn's violin concerto. |
|
movimiento |
movement, motion |
|
mozarabic chant |
medieval church chant style of Spain |
|
muance |
mutation |
| muffle |
to reduce the sound produced by a drum, by placing a cloth over the
drumhead |
|
multimetric |
meter pattern in which the meter changes frequently. see hemiola |
|
mundharmonika |
mouth organ |
|
munter |
merry |
|
murciana |
localized fandango, named after murcia |
| murky |
bass accompaniment in broken octaves |
|
musette |
a bagpipe popular in France during the late 17th-century.
Also a musical piece similar to the gavotte, with a bass part having bagpipe-like
drone |
| music |
from the Greek muse. the art and science of combining timbres, pitches, and rhythms in a way that satisfies and stirs the emotions of the
listener |
|
music appreciation |
musical training in which listening intelligently to, rather than producing music is
stressed |
|
music box |
a clockwork mechanism invented at the end of the 18th-century. rotating pins sound notes by plucking the teeth of a special
'comb' |
|
music drama |
opera, specifically that of Richard Wagner and his
successors |
|
musica |
music |
| musical |
the successor to musical comedy. showboat has been hailed as the first great
musical |
|
musical bow |
a bow where the string is plucked or scraped and the sound is intensified with a resonating chamber, or the mouth is used as
such |
|
musical comedy |
a type of play with music, similar to operetta, with catchy tunes and a comic and romantic storyline, popular in
Britain and the U.S. in the late 19th-and early 20th-centuries.
Chu Chin Chow was one of the most successful |
|
musical glasses |
an instrument made up of various sizes of drinking glasses, filled with liquid or sand to produce different pitches when rubbed with a damp
finger |
|
musical saw |
a saw played as a musical instrument with either a bow or a
stick |
| musicology |
the academic study of music |
|
musique concrete |
music composed by manipulating recorded sounds, specifically
acoustically generated real-world sounds |
|
muta |
instruction to a musician to change, in mid-performance, either from one tuning to another, or from one instrument to
another |
| mutation |
voice change. violin shift |
| mute |
a device that is fitted to an instrument to soften or otherwise alter its tone. this may be an object placed inside the bell of a brass instrument, or on the bridge of a stringed instrument. |